For the Wes Anderson group show at Talon Gallery (Portland, OR) with Spoke Art (San Francisco, CA).

For the February 2017 Miyazaki group show at Spoke Art in San Francisco.

Acrylic, graphite, colored pencil, and ink on paper. 16"x20"

Client: Solitary Films, Vanishing Angle Films
AD: Mari Walker

Illustration and design for an independent short-film poster about a young transgender woman who finds freedom in an end-of-Summer swim.

Acrylic, graphite, and colored pencil on paper. 15" x 22"

Personal work for the Go Get 'Em Tiger show at Giant Robot.

For the Labyrinth 30th Anniversary Exhibition at Gallery Nucleus, Los Angeles CA.

Client: Unnamed Press
AD: Jaya Nicely

Book cover illustration for The Border of Paradise by Esmé Weijun Wang.
 

Client: Atlasta
AD: Charlotte Yeo

Illustrations on The Explorer archetype for streetwear patches.

Inspired by Bjork's Vulnicura. 

Graphite, gouache, and acrylic on paper. 15"x20"

For the Miyazaki Art Show 2017 at Spoke Art in New York City.

I Don't Want To Watch Slavery Fan Fiction
Client: The New York Times
AD: Jim Datz

Op-Ed illustration about HBO's new show, Confederate, and the questionable decisions writers make when exploring alternate realities and how these can influence our present day reality. 

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Moscow's Monument to Murder

Client: The New York Times
AD: Sarah Williamson

An op-ed illustration for an article about a new statue in Russia celebrating the AK-47 and it's inventor, Mikhail Kalashnikov.

Client: Atlasta
AD: Charlotte Yeo

Illustrations for digitally printed patches applied onto denim outerwear on the subject of nine different personality archetypes.

Part of a series of illustrations for a presentation at TEDxBermuda 2017 on using VR as a new medium for storytelling and raising social awareness.

Client: The Congregation

Client: The New York Times
AD: Jim Datz

A black student at Yale who was protesting to remove the name John C Calhoun from one of the dorms there — because Calhoun was a white supremacist slaveholder who said a lot of horrible things — learns that he is actually a descendant of Calhoun himself.

Acrylic, gouache, and graphite on paper. 8″x6″

Made for the Year of the Monkey exhibition at Giant Robot 2.

Shown at the Text and Pictures group show at Giant Robot, Los Angeles, CA.

Art Direction, identity, graphic design, and illustration for June Gloom.

June Gloom is an annual weather phenomenon that occurs in Southern California and causes gloomy, overcast skies. Year after year, it results in increased rates of clinical depression.

A book named after the weather pattern, June Gloom is an illustrated compilation of some of the worst events to happen in Los Angeles during the month of June. Over the past century, we have bear witness to such events like the Zoot Suit Riots, the assassination of Robert F. Kennedy, and the beginning of the United States' AIDS Epidemic.

Illustration for Los Angeles-based two-piece band, Satellite Citi, for their upcoming album Negative Space.

Art direction, graphic design, and illustration for a lenticular poster describing the perils "comfort women" faced during World War 2.

The public service announcement was a reaction to the Japanese Nationalist backlash towards the Comfort Women statues. When the conflict arrived state-side (with the placement of a statue in Glendale), the poster acted as a more direct voice of the history that isn't necessarily heard when viewing the memorial statue on its own.