Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor
Acrylic, graphite, and colored pencil on paper mounted onto panel. 12” x 16”
Personal work for a three-person exhibition at Nucleus Portland with Shoko Ishida and Kristina Collantes, January 2019.
Client: The Fortune Society
AD: Khalil A. Cumberbatch, Danielle Rosario
Cover illustration for The Know Your Rights Toolkit, a non-profit resource for people currently incarcerated or detained fearing that there will be immigration consequences involving Immigration and Customs Enforcement as a result of their involvement in the justice system.
Client: The New York Times; Disability Series
AD: Jim Datz
For an article on how the writer, a queer woman who grew up in a Catholic household in Christian-majority Yorkshire, contrasts her upbringing as the other with the problematic ways disabled people are represented in ableist literature and media; all as she learns to navigate life with multiple sclerosis.
Client: NPR
AD: Meredith Rizzo
Acrylic, colored pencil, graphite, and gouache on paper mounted onto board. 18" x 24"
For the Isle of Dogs Exhibition at Spoke Art NYC, Fall 2018.
Client: TED
AD: Sacha Vega
An illustration for the IDEAS blog by TED on answering the question: "The worst effects of climate change may not be felt for centuries. So how should we think about it now?"
Client: The Ringer
AD: David Shoemaker
Client: The Ringer
AD: David Shoemaker
Personal work.
For the Infinite Well show at Nucleus Portland
Client: GOOD Media
AD: Tatiana Cardenas
Client: The Ringer
AD: David Shoemaker
Client: The Hollywood Reporter
AD: Kelsey Stefanson
Client: Politico EU
AD: Tim Ball
Personal work
Acrylic, graphite, colored pencil, and gouache on paper. 28" x 35"
Client: Politico EU
AD: Alistair Walker
A series of card illustrations for the music and tabletop card game Dropmix, responding to the Lucinda Williams song Can’t Let Go.
Client: Harmonix, Hasbro
AD: Anne Szabla
Client: Intercom
AD: Stewart Scott-Curran
Client: The Ringer
AD: David Shoemaker
Client: Current Affairs Magazine
Client: OZY
AD: Sean Culligan
Client: The New York Times Sunday Review, and also published by ProPublica
AD: Nathan Huang
Client: The New York Times: Sunday Review
AD: Nathan Huang
Client: The New York Times: Sunday Review
AD: Nathan Huang
Client: OZY
AD: Sean Culligan
Client: CANVAS Unplugged
Client: The New York Times
AD: Hannah K. Lee
Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor
For the Wes Anderson group show at Talon Gallery (Portland, OR) with Spoke Art (San Francisco, CA).
Graphite, acrylic, colored pencil, and acryla-gouache on paper mounted onto panel 24" x 30"
For the Miyazaki Art Show 2017 at Spoke Art in New York City.
Client: CANVAS Unplugged
Life is suffering. It is hard. The world is cursed. But still, you find reasons to keep living.
Acrylic, graphite, colored pencil, and ink on paper. 16"x20"
Hayao Miyazaki Tribute Exhibition at Spoke Art SF
Client: The New York Times
AD: Sarah Williamson
For the Labyrinth 30th Anniversary Exhibition at Gallery Nucleus, Los Angeles CA.
Shown at the Text and Pictures group show at Giant Robot, Los Angeles, CA.
