Personal work.

For the Infinite Well show at Nucleus Portland

Client: TED
AD: Sacha Vega

An illustration for the IDEAS blog by TED on answering the question: "The worst effects of climate change may not be felt for centuries. So how should we think about it now?"

Personal work

Acrylic, graphite, colored pencil, and gouache on paper. 28" x 35"

Client: OZY
AD: Sean Culligan

Part of a series on great escapes.

Client: The New York Times
AD: Minh Uong

Illustration featured in The New York Time's Mutual Funds Quarterly for an article about the current state of volatility for bonds in relation to stocks.

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: CANVAS Unplugged
 

Client: The New York Times
AD: Hannah K. Lee

Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor

Client: Vice, The Marshall Project
AD: Nick Gazin, Matt Taylor

Client: CANVAS Unplugged
 

Client: OZY
AD: Sean Culligan

Part of a series on great escapes.
 

Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor

For the Wes Anderson group show at Talon Gallery (Portland, OR) with Spoke Art (San Francisco, CA).

Client: Solitary Films, Vanishing Angle Films
AD: Mari Walker

Illustration and design for an independent short-film poster about a young transgender woman who finds freedom in an end-of-Summer swim.

Graphite, acrylic, colored pencil, and acryla-gouache on paper mounted onto panel 24" x 30"
 

For the Miyazaki Art Show 2017 at Spoke Art in New York City.

Client: CANVAS Unplugged

For the February 2017 Miyazaki group show at Spoke Art in San Francisco.

Acrylic, graphite, colored pencil, and ink on paper. 16"x20"

Client: The New York Times
AD: Sarah Williamson

For the Labyrinth 30th Anniversary Exhibition at Gallery Nucleus, Los Angeles CA.

Shown at the Text and Pictures group show at Giant Robot, Los Angeles, CA.