Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor
Editorial illustration for VICE and The Marshall Project, for an article about how all the times the author was able to avoid prison was due to her racial and socioeconomic privilege.
Client: The Fortune Society
AD: Khalil A. Cumberbatch, Danielle Rosario
Cover illustration for The Know Your Rights Toolkit, a non-profit resource for people currently incarcerated or detained who fear immigration consequences with I.C.E. as a result of their involvement in the justice system.
Client: The New York Times; Disability Series
AD: Jim Datz
For an article on how the writer, a queer woman who grew up in a Catholic household in Christian-majority Yorkshire, contrasts her upbringing as the other with the problematic ways disabled people are represented in ableist literature and media; all as she learns to navigate life with multiple sclerosis.
Client: NPR
AD: Meredith Rizzo
Editorial illustration for NPR, for an article on how the author has a hard time talking about her mental health with her 1st generation Filipino-American mother due to the culture clash.
Acrylic, colored pencil, graphite, and gouache on paper mounted onto board. 18" x 24"
For the Isle of Dogs Exhibition at Spoke Art NYC, Fall 2018.
Client: TED
AD: Sacha Vega
An illustration for the IDEAS blog by TED on answering the question: "The worst effects of climate change may not be felt for centuries. So how should we think about it now?"
Client: The Ringer
AD: David Shoemaker
Editorial illustration for The Ringer, for an article during Horror Week that details how Invasion of the Body Snatchers is one of the scariest films of the 70’s.
Client: The Ringer
AD: David Shoemaker
Client: GOOD Media
AD: Tatiana Cardenas
Editorial illustration for a killed article on GOOD, about the writer's experience in a sensory deprivation tank with the purpose of using float therapy to face her fears and anxieties of death and the afterlife.
Client: The Ringer
AD: David Shoemaker
Client: The Hollywood Reporter
AD: Kelsey Stefanson
Feature Illustration for The Hollywood Reporter on how the ‘Smallville’ actress, Allison Mack, became the lieutenant of the sex cult NXIVM. She was tasked with recruiting “slaves” and branding women with a hot cauterizing pen, all on the false premise of women empowerment.
Client: Politico EU
AD: Tim Ball
Client: Politico EU
AD: Alistair Walker
A series of card illustrations for the music and tabletop card game Dropmix, responding to the Lucinda Williams song Can’t Let Go.
Client: Harmonix, Hasbro
AD: Anne Szabla
Client: Intercom
AD: Stewart Scott-Curran
An illustration for Intercom’s blog, on how to understand what the customer is really looking for.
Client: The Ringer
AD: David Shoemaker
Client: Current Affairs Magazine
Editorial illustration for Current Affairs Magazine, for a first-person essay on what the border looks like from an American point of view, and then learning about the situations deportees and would-be border crossers face in the cartel-dominated town of Nuevo Laredo.
Client: OZY
AD: Sean Culligan
Client: The New York Times Sunday Review, and also published by ProPublica
AD: Nathan Huang
Client: The New York Times: Sunday Review
AD: Nathan Huang
Client: The New York Times: Sunday Review
AD: Nathan Huang
Client: OZY
AD: Sean Culligan
Client: CANVAS Unplugged
Client: The New York Times
AD: Hannah K. Lee
Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor
For the Wes Anderson group show at Talon Gallery (Portland, OR) with Spoke Art (San Francisco, CA).
Graphite, acrylic, colored pencil, and acryla-gouache on paper mounted onto panel 24" x 30"
For the Miyazaki Art Show 2017 at Spoke Art in New York City.
Client: CANVAS Unplugged
Life is suffering. It is hard. The world is cursed. But still, you find reasons to keep living.
Acrylic, graphite, colored pencil, and ink on paper. 16"x20"
Hayao Miyazaki Tribute Exhibition at Spoke Art SF
Client: The New York Times
AD: Sarah Williamson
For the Labyrinth 30th Anniversary Exhibition at Gallery Nucleus, Los Angeles CA.
