Personal work.

For the Infinite Well show at Nucleus Portland

Client: TED
AD: Sacha Vega

An illustration for the IDEAS blog by TED on answering the question: "The worst effects of climate change may not be felt for centuries. So how should we think about it now?"

Client: The Hollywood Reporter
AD: Kelsey Stefanson

Client: OZY
AD: Sean Culligan

Part of a series on great escapes.

Personal work

Acrylic, graphite, colored pencil, and gouache on paper. 28" x 35"

Client: OZY
AD: Sean Culligan

Client: The New York Times
AD: Minh Uong

Illustration featured in The New York Time's Mutual Funds Quarterly for an article about the current state of volatility for bonds in relation to stocks.

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: OZY
AD: Sean Culligan

Client: CANVAS Unplugged
 

Client: The New York Times
AD: Hannah K. Lee

Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor

Client: Vice, The Marshall Project
AD: Nick Gazin, Matt Taylor

Client: CANVAS Unplugged
 

Client: OZY
AD: Sean Culligan

Part of a series on great escapes.
 

Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor

For the Wes Anderson group show at Talon Gallery (Portland, OR) with Spoke Art (San Francisco, CA).

Client: Solitary Films, Vanishing Angle Films
AD: Mari Walker

Illustration and design for an independent short-film poster about a young transgender woman who finds freedom in an end-of-Summer swim.

Graphite, acrylic, colored pencil, and acryla-gouache on paper mounted onto panel 24" x 30"
 

For the Miyazaki Art Show 2017 at Spoke Art in New York City.

Client: CANVAS Unplugged

For the February 2017 Miyazaki group show at Spoke Art in San Francisco.

Acrylic, graphite, colored pencil, and ink on paper. 16"x20"

Client: The New York Times
AD: Sarah Williamson

For the Labyrinth 30th Anniversary Exhibition at Gallery Nucleus, Los Angeles CA.

Shown at the Text and Pictures group show at Giant Robot, Los Angeles, CA.