Client: Artetorial

Client: Institutional Investor
AD: Jeremy Leung

Private equity firms get paid lavish amounts in fees to do private equity work: buy companies, combine them, make them more valuable & sell them. Now, many of the biggest private equity firms are getting huge into credit. What will be the fate of these private equity firms?

Client: The New York Times; Disability Series
AD: Jim Datz

For an article on how the writer, a queer woman who grew up in a Catholic household in Christian-majority Yorkshire, contrasts her upbringing as the other with the problematic ways disabled people are represented in ableist literature and media; all as she learns to navigate life with multiple sclerosis.

Client: The Guardian
AD: Juweek Adolphe

For a piece on how voice plays an important step amidst a trans woman’s transition and how vocal training can help her find her voice. Hormone treatments can change several things about ones body except their vocal cords. And since trans people face extraordinary levels of violence, achieving a feminine voice can serve as a cloak of protection from bias and bigotry.

Acrylic and colored pencil on paper. 12” x 16”

For the Spring 2019 Game of Thrones exhibition at Spoke Art SF.

Client: The New York Times; Disability Series
AD: Jim Datz

For a story written by C.S. Gilcombe, a man who lost an arm at an early age, and came to understand his disability in the context of an "inconvenience" rather than a debilitating quality—similar to how his parents framed his racial status and to how he relates to his prosthetic, now. He's an avid cyclist, and the story alludes to this frequently.

Client: TED
AD: Sacha Vega

Client: NPR
AD: Meredith Rizzo

Editorial illustration for NPR, for an article on how the author has a hard time talking about her mental health with her 1st generation Filipino-American mother due to the culture clash.

Client: The Hollywood Reporter
AD: Kelsey Stefanson

For an article on how the CEO of Bustle Digital Group has built a career on reviving websites on life support, like Gawker, Mic, The Zoe Report, Outline, and Elite Daily.

Client: NPR
AD: LA Johnson

Client: The New York Times
AD: Hannah K. Lee

“President Trump killed a deal that would have allowed Cuban baseball players to enter the United States legally and safely. “

Client: The Ringer
AD: David Shoemaker

Acrylic, colored pencil, graphite, and gouache on paper mounted onto board. 18" x 24"

For the Isle of Dogs Exhibition at Spoke Art NYC, Fall 2018.

Client: The Ringer
AD: David Shoemaker

Editorial illustration for The Ringer, for an article during Horror Week that details how Invasion of the Body Snatchers is one of the scariest films of the 70’s.

Client: The Ringer
AD: David Shoemaker

Client: GOOD Media
AD: Tatiana Cardenas

Editorial illustration for a killed article on GOOD, about the writer's experience in a sensory deprivation tank with the purpose of using float therapy to face her fears and anxieties of death and the afterlife.

Client: The New York Times
AD: Melody Newcomb, Jim Datz

For an op-ed about our individual expectations of privacy in public spaces.

Client: Intercom
AD: Stewart Scott-Curran

An illustration for Intercom’s blog, on how to understand what the customer is really looking for.

Client: The Ringer
AD: David Shoemaker

Client: The Hollywood Reporter
AD: Kelsey Stefanson

Feature Illustration for The Hollywood Reporter on how the ‘Smallville’ actress, Allison Mack, became the lieutenant of the sex cult NXIVM. She was tasked with recruiting “slaves” and branding women with a hot cauterizing pen, all on the false premise of women empowerment.

Client: Politico EU
AD: Tim Ball

Client: NPR
AD: Meredith Rizzo

For an article on how some men’s groups are looking for other ways of discussing masculinity outside of incel groups. They’re trying to find what “being a man” really means, by finding ways to support each other and promote healthy ideas of masculinity in society. Where’s masculinity headed? 

Client: The Fortune Society
AD: Khalil A. Cumberbatch, Danielle Rosario

Cover illustration for The Know Your Rights Toolkit, a non-profit resource for people currently incarcerated or detained who fear immigration consequences with I.C.E. as a result of their involvement in the justice system.

Client: VICE, The Marshall Project
AD: Nick Gazin, Matt Taylor

Editorial illustration for VICE and The Marshall Project, for an article about how all the times the author was able to avoid prison was due to her racial and socioeconomic privilege.

Client: The Ringer
AD: David Shoemaker

Client: TED
AD: Sacha Vega

An illustration for the IDEAS blog by TED on answering the question: "The worst effects of climate change may not be felt for centuries. So how should we think about it now?"

Client: Current Affairs Magazine

Editorial illustration for Current Affairs Magazine, for a first-person essay on what the border looks like from an American point of view, and then learning about the situations deportees and would-be border crossers face in the cartel-dominated town of Nuevo Laredo.

Client: The New York Times Sunday Review, and also published by ProPublica
AD: Nathan Huang

Client: The New York Times
AD: Hannah K. Lee

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: The New York Times: Sunday Review
AD: Nathan Huang

Client: CANVAS Unplugged
 

Graphite, acrylic, colored pencil, and acryla-gouache on paper mounted onto panel 24" x 30"
 

For the Miyazaki Art Show 2017 at Spoke Art in New York City.

Acrylic, graphite, colored pencil, and ink on paper. 16"x20"
For the Hayao Miyazaki Tribute Exhibition at Spoke Art SF